nigel kneale filmography


Cine-literate, politically aware and scathingly … We all just wanted to watch a spooky ghost story. "[62] The island locations scenes for the production were filmed on the Isle of Man, Kneale's homeland. [73] Lynne Truss, reviewing a repeat broadcast of the production on Channel 4 for The Times in 1994, wrote that: "Clip-clop is not usually a noise to get upset about. [3][4] His family came from the Isle of Man, and returned to live there in 1928, when he was six years old. 29/9/1963), an ingenious story about 18th century villagers haunted by a future nuclear holocaust; … ANDY MURRAY: Long story! "[22], Jason Jacobs, a lecturer in film and television studies at the University of Warwick, wrote in his 2000 history of early British television drama that "It was the arrival of Nigel Kneale ... and Rudolph Cartier ... that challenged the intimate drama directly ... Kneale and Cartier shared a common desire to invigorate television with a faster tempo and a broader thematic and spatial canvas, and it was no coincidence that they turned to science-fiction in order to get out of the dominant stylistic trend of television intimacy. [7][8] He also worked in a lawyer's office,[3] but became bored with his legal training and eventually abandoned the profession. The film will be produced by Hammer’s Simon Oakes and follow the story of Bernard Quatermass, which was made popular by the successful BBC 1950s series, and a trio of films from Hammer Film Productions from the mid-50s to the mid-60s and seen as a precursor to Dr. Who. Since then most of his writing work was for Television and film, often using sf themes, most commonly consisting of scientific rationalizations of ancient motifs from Horror fiction and Mythology. [48], In 1958, Kneale's play Mrs Wickens in the Fall, transmitted by the BBC the previous year, was remade by the CBS network in the United States, retitled The Littlest Enemy. [71] However, the series was not a success, although Kneale later remained personally pleased with it. … In a January 2015, BBC Radio 2 gave an interview with Hammer Films CEO Simon Oaks with news of developing a new Quatermass series for television. [78], While recording an audio commentary for that film in 1997, Kneale speculated about a possible Quatermass prequel set in 1930s Germany. [95], Kneale was proud of his son's success as a writer. Kneale's script, Jack and the Beanstalk, was transmitted on 24 March 1974, and marked the end of his BBC writing career. Back in 2000 I was working at Cornerhouse arts centre in Manchester. It was 35 years ago. [30] Nineteen Eighty-Four was a particularly notable production; many found it shocking, and questions were asked in Parliament about whether some of the scenes had been suitable for television. Nigel Kneale was right!" Ghostwatch was a big deal for the BBC on Hallowe’en 1992. Kneale didn’t like these either, especially the altered ending. "[65] His final BBC work was an entry into a series called Bedtime Stories, adapting traditional fairy tales into adult dramas. [72] The Black Lagoon script never went into production, but while in America Kneale met the director Joe Dante, who invited him to script the third film in the Halloween series, on which Dante was working. [53], Less successfully during this period, Kneale completed screenplays for adaptations of the novels Lord of the Flies by William Golding and Brave New World by Aldous Huxley. In the early 1950s Kneale met fellow BBC screenwriter Judith Kerr, a Jewish refugee, in the BBC canteen. But we’ll get to that part when we … [49] Broadcast on 18 June as part of The United States Steel Hour anthology series, the script was severely cut back in length. [18] During this period he was regarded as one of the finest writers working for the BBC. He was a writer and actor, known for, Barrow-in-Furness, Lancashire, England, UK. "[84] Film screenwriter and director Dan O'Bannon was also an admirer of Kneale's writing,[83] and in 1993 wrote a potential remake of The Quatermass Experiment,[85] of which Kneale approved,[86] but the film was never made. Sutton was the Head of Drama at the BBC during this period, and twice lists Kneale while citing examples of the finest single plays made during his tenure. A particular critical success was The Year of the Sex Olympics, broadcast as part of BBC2's Theatre 625 series in July 1968. The series … [8] He continued to write in his spare time and in 1949 a collection of his work, entitled Tomato Cain and Other Stories, was published. Don't let SILENCE go silent! 12 (1992): 32–47. [10] Kneale's first credited role in adult television drama was providing "additional dialogue" for the play Arrow to the Heart, broadcast on 20 July 1952. Wells). The series is a touchstone of folk horror and hauntology and has provided inspiration to many modern creators of horror entertainment. [40] Kneale was disappointed that Brian Donlevy also returned in the role of Quatermass. If you have never seen Nigel Kneale’s Beasts I urge you to rectify this as soon as you can. [97] Bryan Kneale painted the covers for the Quatermass script books released by Penguin Books in 1959 and 1960. 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